近日，浙江湖州南浔古镇的庞莱臣旧宅重新对外开放，并特别展出9件珍贵书画真迹，引发广泛关注。庞莱臣（1864–1949）是近代中国著名实业家、收藏家，被誉为‘民国第一藏家’，其‘虚斋’收藏涵盖宋元明清历代名家作品，数量与质量均属罕见。此次展出的9件真迹包括明代文徵明《行书诗卷》、清代恽寿平《花卉册页》等，均为庞氏旧藏中的精品，部分作品首次公开展出。展览通过原状陈列与现代展陈技术结合，还原了庞莱臣当年鉴藏、会友的生活场景，让观众在历史空间中感受传统文人的审美趣味与文化精神。庞宅本身为典型的江南园林式建筑，白墙黛瓦、曲径通幽，与所展书画相得益彰，构成一场沉浸式的文化体验。此次展览不仅是一次艺术盛宴，更是对庞莱臣文化贡献的致敬，也为公众提供了深入了解中国近现代收藏史的重要窗口。
Recently, the former residence of Pang Laichen in Nanxun Ancient Town, Huzhou, Zhejiang Province, has reopened to the public, featuring a special exhibition of nine authentic classical Chinese paintings and calligraphy works, drawing widespread attention. Pang Laichen (1864–1949) was a renowned industrialist and collector of modern China, often hailed as ‘the greatest private collector of the Republic of China era.’ His famed ‘Xuzhai’ collection included masterpieces from the Song, Yuan, Ming, and Qing dynasties, remarkable for both quantity and quality. Among the nine exhibited works are Wen Zhengming’s ‘Running Script Poetry Scroll’ (Ming dynasty) and Yun Shouping’s ‘Album of Flowers’ (Qing dynasty)—all highlights from Pang’s original collection, with some being displayed publicly for the first time. The exhibition blends period-accurate displays with modern curation techniques to recreate Pang’s scholarly environment for connoisseurship and social gatherings, offering visitors an immersive glimpse into traditional literati aesthetics and cultural values. Set within a classic Jiangnan-style garden residence—characterized by whitewashed walls, black-tiled roofs, and winding pathways—the venue itself enhances the artistic experience. This exhibition not only celebrates Chinese art but also honors Pang Laichen’s enduring cultural legacy, providing the public with valuable insight into the history of modern Chinese collecting.
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