近期，成毅主演的新剧《长安二十四计》自开播以来引发热议，但不少观众却纷纷吐槽，质疑其剧情、节奏乃至角色塑造。首先，剧名虽借用了“长安”这一历史厚重的背景，但实际故事被指缺乏逻辑，情节推进生硬，悬疑元素流于表面，难以支撑起‘二十四计’的智谋设定。其次，部分观众认为成毅的角色过于脸谱化，与其过往作品中的形象雷同，缺乏突破。此外，服化道虽精致，却被批评为‘重形式轻内容’，过度依赖滤镜与慢镜头，反而削弱了叙事张力。更有人指出，该剧在宣传阶段主打‘古装悬疑+权谋’，但正片却偏向偶像言情，导致预期落差较大。尽管制作团队投入不菲，演员演技在线，但整体剧本薄弱、节奏拖沓成为主要槽点。面对争议，也有粉丝力挺，认为剧集细节考究、画面唯美，值得耐心观看。无论如何，《长安二十四计》的口碑两极分化，反映出当下观众对古装剧审美与内容深度的更高期待。
Recently, Cheng Yi’s new drama ‘The Twenty-Four Stratagems of Chang’an’ has sparked widespread discussion since its premiere, yet many viewers have voiced criticism regarding its plot, pacing, and character development. Firstly, although the title evokes the historically rich setting of Chang’an, the storyline is criticized for lacking coherence, featuring forced plot progression and superficial suspense that fails to live up to the intellectual promise implied by ‘Twenty-Four Stratagems.’ Secondly, some viewers argue that Cheng Yi’s character feels stereotypical and too similar to his previous roles, offering little innovation. Additionally, while the costumes, makeup, and set design are visually refined, they are accused of prioritizing style over substance—excessive use of filters and slow-motion shots reportedly dilutes narrative tension. Moreover, the show was marketed as a historical suspense drama centered on intrigue and strategy, but the actual episodes lean heavily into romantic idol tropes, creating a significant gap between audience expectations and reality. Despite substantial production investment and competent acting, weak scripting and sluggish pacing remain the main criticisms. That said, fans defend the series, praising its meticulous details and aesthetic visuals, urging patience from viewers. Ultimately, the polarized reception of ‘The Twenty-Four Stratagems of Chang’an’ reflects today’s audiences’ heightened demands for both visual appeal and substantive depth in historical dramas.
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